Liz Glynn is an LA-based artist who explores the ambition of empire and the pleasure of ruin. Her practice seeks to embody dynamic cycles of growth and decay, and to propose direct action through sculptural material. Recent works include the 24 Hour Roman Reconstruction Project at Machine Project, and the In the Beginning is the End, a Processional for Los Angeles in Chinatown. Her work has also been presented at venues including Acuna-Hansen Gallery (LA), John Connolly Presents (NYC), and Beta Level (Los Angeles), and will be included in an upcoming project at the Los Angeles County Museum of Art. She has attended residencies at the Atlantic Center for the Arts, Vermont Studio Center, and soon will travel to O’artoteca in Milan. Her work has been reviewed in Art Lies and the Los Angeles Times. She received her MFA from California Institute of the Arts, and her BA from Harvard College.

she took part to IL DISSENSO